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The God Fahim Elevates His Rhyme Schemes on Dump Gawd: Hyperbolic Time Chamber Rap 13“ (EP Review)

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Another EP from Atlanta, Georgia emcee/producer Tha God Fahim & the 2nd in less than a week, marking the 61st in his discography Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. But dude has been on a CRAZY run since 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. He just had Drega33 produce Lethal Weapon 3 this past Friday & returning with the 13th entry in the Dump Gawd: Hyperbolic Time Chamber Rap saga.

“Render Punishment” is this piano-boom bap intro talking about gaining a piece of mind surviving in these current times of protest in Los Angeles whereas the soulful “Twisted Metal” featuring Ru$h homages the video game franchise TV adaption with it’s upcoming 2nd season on the Comcast Corporation subsidiary NBCUniversal-owned peacock with the franchise’s mascot being played by former AEW World Champion & 2-time AEW TNT Champion Samoa Joe of the current AEW World Trios Champions The Opps.

The drums get stripped on “Hold the Throne” catching bodies in the studios & feeling ungodly maintaining a chipmunk soul vibe just before “Smoke in Mirrors” continues the drumless sampling to talk about profit being essential to his mental being. “Brand New” hooks ups a crooning sample chop looking to boomerang interest in his opps leading into the jazzy “It’s Automatic” boasting about his raps being cinematic.

“I’m Leavin with Sum” lastly wraps up the EP leveling up his rhyme schemes a couple notches notable when starts by referencing being wittier than Michael Scofield from Prison Break on the Fox Corporation’s flagship property & leavin’ enemies with their throats slit during the final seconds giving the wisdom of preferring a 9-5 instead of going broke. Couldn’t forget to mention the spoken word outro where he touches on always getting to himself something.

Dump Gawd: Hyperbolic Time Chamber Rap 13 is a lot like the predecessor in terms of the jazzy, boom bap & drumless production except it’s not another Jay NiCE collaborative effort & maybe the most I’ve enjoyed an EP in the series since Dump Gawd: Hyperbolic Time Chamber Rap 10 because of the performances Fahim handles by himself for most of it. Wouldn’t surprise me if he does a collab EP with Ru$h because I’d actually welcome it if that is in fact planned at any point.

Score: 9/10

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