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”Criminally Attached” Prod. by Nicholas Craven Makes For an Outstanding Roc Nation Debut for Boldy James (Album Review)

It’s been 4 months & Detroit veteran Boldy James has finally returned to make his Roc Nation Records debut in the form of his 17th LP. Breaking out in the fall of 2013 off his Alchemist produced debut M.1.C.S. (My 1st Chemistry Set), the Detroit lyricist would later go on to land a contract with Nas’ independent label Mass Appeal Records for a little while before getting locked up. Once coming home, Uncle Al would help get his name back out there once getting out by dropping the Boldface EP around Christmas 2019 & then the sophomore album The Price of Tea in China. This was followed up with the Sterling Toles-produced Manger on McNichols which was as equally fantastic, but the Griselda Records-backed Versace Tape EP was a tad bit disappointing given how rushed it was. Bo Jackson though would become his most critically acclaimed work to date & Super Tecmo Bo was almost as great for an EP. Fair Exchange No Robbery produced by Nicholas CravenPenalty of LeadershipMr. Ten-08 produced by Futurewave, the Conductor Williams-produced Across the Tracks the Harry Fraud-produced The Bricktionary & the Carlo Anthony-produced Hidden in Plain Sight were all welcomed to warm reception additionally. Token of Appreciation produced by Chuck Strangers was much better than both Murder During Drug Traffic & Permanent Ink, the Antt Beatz produced Hommage left people divided although I didn’t mind it, coming off the coming off the V Don-produced Alphabet Highway & the Killing Nothing sequel Conversational Pieces respectively by showing up Late to His Own Funeral. Signing to Roc Nation not too long ago, he & Craven have decided to run it back with Criminally Attached.

“Walnut Grove” comes out the gate with a vocal sample talking about making money for a long time putting it on his grandmother Mary Lou whereas “No Blemishes soulfully explains that a membership of the gang he’s in cannot be simply claimed.“Infrared.com” talks about still being in the ghetto with all of his Zs getting calls that shouldn’t be answered on speaker just before “Fully Smack” runs up a check quickly to the point where he doesn’t have to wait in a line.

David Hill & 50 Gwuap Taj join Boldy on the soulful “Trifecta” talking about the way they see themselves livin’ leading into “Thumb of Craven” starting the 2nd half continuing the drumless chipmunk soul vibes telling the heavyweights throw up against to walk a little lighter. “Mr. Quaker Oats” featuring Poppy Bricks embraces a jazzier vibe talking about being more Richie than Lionel while “Thread the Needle” suggests you know he came from the bands the way he marches in.

“2 Left Feet” begins Criminally Attached last several minutes talking about not missing a single beat when he’s hustling in the streets over a chipmunk soul instrumental & lastly, “1st Time Around” ends with a vocal jazz flip admitting that he isn’t referring to blank disc when he mentions CDs & advising that one shouldn’t get to acquainted with the 227 Concreatures because of all the excessive gang shit that stays surrounding them.

Hard to say whether or not we’ll still get The Pop Catcher either next month or in 2026 but either way, Boldy James’ official Roc Nation Records debut & his 4th album to be entirely produced by one of my personal favorite producers of this ongoing decade joins Late to My Own Funeral alongside Token of Appreciation & Alphabet Highwayfor the strongest out of the handful of albums the Motor City’s finest has had to offer in 2025. Gearing up for a Super Tecmo Bowl follow-up next year also, Nicholas Craven’s drumlessly soulful production is unparalleled compared to it’s predecessor 4 months earlier & the same can be said regarding the gangsta-themed lyrics.

Score: 9/10

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