King Leez — Mastering the Underground in the Age of Algorithms (Full Interview)

In an era where music moves at algorithm speed and attention spans are shorter than ever, King Leez stands out by doing what most artists won’t: adapting without compromising his craft. The Tacoma-born lyricist has steadily carved out a reputation for razor-sharp bars, consistency, and an instinctive understanding of how the underground breathes—both online and in real life. Since his last in-person conversation with ThaWilsonBlock, Leez has taken creative control of his visuals, expanded his reach, and sharpened his rollout strategy, culminating in the release of Year Of The 9. In this exclusive interview, King Leez breaks down his evolution, his approach to production, the blurred lines between Seattle and Tacoma soundscapes, and the mindset that keeps him locked in while the culture shifts around him.

King Leez — Mastering the Underground in the Age of Algorithms (Full Interview)

Mistah Wilson: Yo, King Leez, what’s tha deal, family!? Thanks for comin’ thru for this exclusive interview with ThaWilsonBlock. You came thru tha Pueblos a few years back for tha in-person interview. What have you been working on since then?
King Leez: Since then, the way people engage with music and art online changed. I saw people’s reels blowing up from consistently dropping content, so I taught myself how to shoot my own videos so I wouldn’t have to wait. I’ve gained quite a few new followers, and it helped with the rollout of my latest album, “Year Of The 9.”

Mistah Wilson: I must say, your videos be just as lit as tha bars you spit! Shout out to your videographer, fr fr. What have been some of your personal favorite music videos to date?
King Leez: I’m doing the videos myself lately, besides the video I have with Westside Boogie, which was shot by Thomas Tyrell, and Tinted Rentals, featuring my young homie Dangerous, shot by my brother YG Preach. I actually flew home to Tacoma to shoot that one.

Mistah Wilson: Let’s talk production real quick. What’s your process like when selecting beats for your singles and albums?
King Leez: I’ve been meeting new producers in LA, actually, but other than that, I use the old faithful ones like Antoine Beats.


Mistah Wilson: For tha sake of conversation, how would you describe tha fine line between Seattle music and Tacoma music?
King Leez: There really isn’t too much of a fine line. The bottom line is we are on the West Coast, and that’s what it sounds like when you go underground.

Mistah Wilson: It’s no secret, man. Your bars are impeccable. I can honestly say you have absolutely no wack songs. How are you able to maintain such a high quality across all your music?
King Leez: It’s a God-given talent, and my fascination as a kid discovering hip-hop/rap were people who can really rap.

Mistah Wilson: In your own words, how would you describe the evolution of full-length albums to the epidemic of EPs that are commonly released today?
King Leez: The access to so much information made people’s attention spans so much shorter. It happens to me all the time. I go on my phone with plans to search up something or look for something, and I’m easily sidetracked by a new pop-up, release, or Reel.

Mistah Wilson: What are some of your long-term goals in music?
King Leez: Become a household name, be financially free, and see more parts of the earth that I haven’t already seen.

Mistah Wilson: Consistency is key, and you’ve managed to keep your foot on tha gas over tha years. What’s your secret to maintaining a steady presence in music today?
King Leez: Keeping my ear to the streets and moving accordingly.

Mistah Wilson: Yo, Leez! It’s been real, family! Thanks for coming thru for this exclusive interview with ThaWilsonBlock. Go ahead and drop some shout outs!
King Leez: Shoutout to my family, my friends, and rest in peace to the ones who’ve passed on, and free the real ones who are incarcerated.

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Location: Los Angeles, CA, USA

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